What is the deadline for submissions for The Relentless Award, 2018?
Submissions will be accepted from March 1, 2018 – May 15, 2018. Please go to this page of our website to read guidelines and submit your play.
Is there a limit to the number of submissions per playwright?
Yes. We ask that playwrights limit submissions to one script per year. We also do not allow scripts that have been submitted in previous years to be resubmitted.
Can I withdraw my play, and submit an updated draft?
No. We do not accept revisions. Once a play is submitted, it enters our evaluation process and we cannot disrupt our readers with new drafts. We champion raw and unfinished work, so know that your script will not be judged for errors or incomplete elements. If you realize you submitted the wrong script file, or submitted a script with significant issues or missing pages, email email@example.com and a request to open your submission for editing will be considered. If you withdraw and resubmit drafts without approval your submission may be disqualified.
Will I receive any notification or a rejection letter about my script?
Once you submit, you'll receive email confirmation that your script and accompanying materials have been received. Please allow a few days for this confirmation to arrive, as they are processed manually. Unless your script is advancing to the semifinalist level, you will not be contacted. If you don't hear from an APF representative by October 10, 2018, you can assume that your script is not advancing. The APF does not provide script feedback.
If I submit, and then make revisions to my script, can I submit again and provide an updated draft?
No. As soon as your script is submitted, it is distributed and our readers begin evaluating it. We unfortunately cannot allow new drafts to be submitted, as we cannot disrupt processing once it's underway.
The application asks "Anything you want us to know about your play?" Is this a request for an Artist Statement?
No. Feel free to use it that way, but we don't require formal language, or a statement about your body of work. The American Playwriting Foundation champions raw and unfinished work. With this question, we simply hope to learn more about the play—do you think it's finished? What are you working on with the current draft? What motivated you to write this play? Resist the urge to use impressive vocabulary or to list development opportunities that the play has received. Instead, use this question as an opportunity to speak candidly about the piece, in your own voice. Please leave out identifying information like your name, contact or agent info, education, or name-specific dedications.
The award specifies that scripts must be “unproduced.” My script received a workshop/reading/production but I’m not sure whether it’s eligible. How does the APF define “unproduced”?
Developmental readings and workshops do not limit a script's eligibility. The American Playwriting Foundation defines the difference between workshops and full productions based on the following factors: union affiliation and/or contract level, number of performances, tech elements, press coverage, and professional versus amateur artists involved. Generally speaking, plays produced in an educational context are considered unproduced, and therefore eligible for the Relentless Award. If you're unsure whether your play received a full production, please email firstname.lastname@example.org, and the American Playwriting Foundation staff will determine whether the script is eligible, at their discretion.
My play has original songs, but it is not a musical. Can I submit?
Yes. As stated in the guidelines, musicals are not eligible for the Relentless Award. However, if original music is an element of your piece, within the context of a straight play (for example, it's a play about a band), it is eligible for consideration. If music is justified as part of the action of a straight play, or “play with music”, as opposed to a “musical”, we’ll absolutely consider it.
Some institutions define "one-act" versus "full-length" differently. What does the APF consider a "full-length" piece?
We do not have a minimum page requirement, or exact specifications as to what makes a play a one-act versus a full-length play. A defined act break is not required. We hope that the general definition of “full-length” speaks for itself. About an hour minimum runtime is a rough, general rule of thumb. If you feel that your play is a complete, full-length piece, we'll consider it.
Am I sacrificing rights to production or publication by applying for the Relentless Award?
No. The award money distributed to winners is not a payment being made in exchange for production rights—the author of the winning script will be presented with the option to publish, and to have their work developed at various theatrical institutions, but these are opportunities, not obligations. The winner is free to use award money as they see fit.
I am not available for the residency offered at SPACE on Ryder Farm. Does this disqualify me?
If you aren't available for the residency, you are still eligible for the award. As noted above, the opportunities that the APF provides to playwrights are just that— opportunities, not requirements.
Are adaptations eligible for consideration?
Yes. However, if the work you are adapting is not in the public domain, you may want to research copyright info and/or investigate how to go about optioning the piece if necessary, and if you haven’t already. We strongly encourage all playwrights working on adaptations to make sure their work is legal and authorized.
I am an agent or mentor to a writer that would like to submit. Can I do so on the writer's behalf?
No. We ask that all writers submit their own materials directly, and provide their own contact information on the submission form. There is no fee to submit.